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nbsp; Displaying historical works in contemporary art museums is a risky – yet potentially rewarding – business. Case in point: Dioramas, an exhibition curated by Claire Garnier, Laurent Le Bon, and Florence Ostende that just closed at the Palais de Tokyo in Paris and will have a second venue s
America Collects: A Review – by David Pullins – Journal18: a journal of eighteenth-century art and culture
Dioramas, Before and After – by Noémie Étienne – Journal18: a journal of eighteenth-century art and culture
PDF) “Ready-Made Eye-Opener: Models, Functions and Meanings of the Ironwork in Albert C. Barnes's Displays”, in Johannes Grave, Christiane Holm, Valérie Kobi et Caroline van Eck, eds., The Agency of Display: Objects
Dioramas, Before and After – by Noémie Étienne – Journal18: a journal of eighteenth-century art and culture
PDF) David Hammons: An elective affinity
Books Noémie Étienne
PDF) “Seeing Through: The Materiality of Dioramas (1600-2010)”, International Conference. Organized in collaboration with Noémie Etienne / University of Bern, 01-02.12.2016.
PDF) “Seeing Through: The Materiality of Dioramas (1600-2010)”, International Conference. Organized in collaboration with Noémie Etienne / University of Bern, 01-02.12.2016.
PDF) “Ready-Made Eye-Opener: Models, Functions and Meanings of the Ironwork in Albert C. Barnes's Displays”, in Johannes Grave, Christiane Holm, Valérie Kobi et Caroline van Eck, eds., The Agency of Display: Objects